
Kasu-mala
Lakshmi coin necklace, choker length. Stamped with the goddess at every disc.
A door on M.M. Ali Road, dedicated only to the trousseau. Aroosa — our word for bride — gave the house its name. This is where she sits.
A trousseau is not bought in an afternoon. We sit with the bride, the mother, the maternal aunt who has the loudest opinion. The pieces are laid out, layered, re-strung. The oddiyanam is fitted on the saree, not on a stand.
Mappila or Hindu, Onam or nikah, the same quiet attention. We pour tea, families argue, decisions are made.

Lakshmi coin necklace, choker length. Stamped with the goddess at every disc.

Long mango-motif chain, sits below the bust. Worn over the saree.

Temple earrings — Lakshmi at the top, bell-shaped drop, hung with seed-pearl tassels.

Carved waist-belt — sized on the saree the day of the fitting, not on a stand.

The forehead piece — centre-parting tikka with side-strands, optional.

Six to twenty-four pieces, plain to fully carved. The wrist is the loudest part of a bride.
You arrive with the saree, the venue plan, and a rough budget. Tea is poured. We pull the trays out to a private booth on the second tier. Two hours, no rush.
A short-list of six to ten pieces. We sketch alterations — a slightly longer manga-mala, a smaller jhumka, a heavier kasu. The artisans take the drawings.
Cast, hammered, carved, set. The 22kt is hallmarked. Stones are graded and certified at the bench.
You return with the saree. The oddiyanam is sized, the manga-mala length adjusted, the jhumka catch tested.
Each piece is signed by the artisan, papered with hallmark and stone-certification, and packed in cloth-wrapped wooden cases. Delivered to your door if you prefer.
Bridal consults run by appointment only. Mondays through Saturdays at the Puthiyara house. Sundays available on request.